Showing posts with label harmlessness. Show all posts
Showing posts with label harmlessness. Show all posts

Art, Culture and Gentrification.

Gazette of Political Art, #5
co-coordinator

march 2014


Issue 5 of the Gazette of Political Art addresses the relation between art and gentrification. You can browse the whole issue (in Romanian) below or download it here. A fragment (in English) of the article "Delivering the City into the Arms of Capital: Gentrification and the Harmlessness of Art in Bucharest" here.




Dear Money, I know.

photography, 2013
comission for 'Dear Money' group show and publication
curated by Salonul de proiecte, Bucharest


With the rapacious corporate rush for Gold in Romania and beyond, we need to remember  what it all comes down to: plus-value. 
Dear Money - pink ten lei bill dedicated to the greatest Romanian painter and his brush - be good and behave, let yourself be devoured. We already know the latest scheme on art: it is the greatest commodity of all. 

Destroy Financialization. Reappropriate Gold. Save Rosia Montana.


































View from the exhibition. Viennafair 9-13 October ,2013.





 Publication. Photo credits: Stefan Sava / Salonul de Proiecte

So You Think You’re Political ?! Seven Notes on the Harmlessness of Art


original text
ArtLeaks Gazette, #1.
2013

(...)
#6 Art and legality (2)
From a legal point of view, there is an important distinction between radical politics/direct action and art. In the contemporary Western legal systems, art is seen as a fundamental right. There is therefore a tendency to tolerate, legalize and defend something that is considered art. Enacted radical politics are always directed towards forms of governmentality, and the most cohesive expression of this governmentality is the law. Take the form of revolution as the privileged form of enacted radical politics: it is fundamentally illegal. It is this definite distinction between the tendency of legalizing art and illegalizing radical politics that is at the core of the configuration of the harmlessness of art.

Read full text here.



Other Flags performance (part of the Other Us/Ceilalti Noi project)


the Other Flags from veda popovici on Vimeo.

Other Flags (public performance)

1st December 2012, Bucharest, University Square
camera: Iulius Costache; 
video editing: Larisa David

With: 
Irina Botezatu, Larisa David, Simona Dumitriu, Ileana Faur, Alice
Monica Marinescu, Veda Popovici, Daniel Tristan, Roxana Vasile, David
Schwartz, Arnold Schlachter.


Flags by: 
Irina Botezatu, Larisa David, Răzvan Drăgoi, Simona Dumitriu, Ileana Faur, Veda Popovici, Jean-Lorin Sterian, Alexandra Terzi, Daniel Tristan, Roxana Vasile.


part of the Other Us/Ceilalti Noi project, Platforma art space, December 2012, Bucharest.

Invitation to War


Statement

On Friday, the 16th of March 2012, the artist activist group Voina (Russian: „war”) had a public presentation at the National Museum for Contemporary Art situated in the House of People in Bucharest. 

Each person attending this event had to pass through a control of his/hers belongings and a body control through a metal detector, including the Voina artists. They were even longer and more thoroughly searched. The reason for this is that the building is a military objective. A space totally dedicated to State authorities, it hosts various institutions of „national importance” like the Parliament. 
We consider the event a invitation to war. 
The war is against today's form of the Romanian State, a police state that has progressively straighten its repressive character in the last six months. The fundamental right to protest and contest state authority has been and still is seriously broken. Too many activists and not only have been picked up and fined abusively and even physically assaulted by the military arm of the State, the privileged Jandarmeria. 
Inside the House of People, the war can only be symbolic, a representation of that real war through which the protest is, as each day passes, domesticized and annihilated. We have come to war in the only way we can: with toy guns. Just as freedom of speech is just a toy and protest just a simulacra in the eyes of the authorities. We played the role of harmless harlequins, toy-terrorists, a role that the same authorities attribute to artists. Responding to a symbolic war invitation, we try to push the limits of security and surveillance at the security check of the Museum. The toy guns are confiscated at the entrance, the art gesture is amputated in the hallway of the Great House. The reason: with toy guns one can threaten and create panic. In the space that the State dedicated to contemporary art, contemporary artists are not welcome if they undermine its authority. Two pistols out of five manage to get across the tough security check. Throughout the presentation, anyone could observe the other guns left next to the metal detector. At the first floor of the Museum, the Voina presentation is about to begin. At this moment, we place ourselves in front of the obedient audience, two of us holding our guns at sight. The others are wearing the message: „I came to Voina, but this plastic gun had to stay at the security check of the Museum”. Although we threaten the audience with our guns, nobody panics.
 We are perfectly safe in the most guarded building in Romania. 
The limits of security and surveillance seem unreachable. 
A threatening as a simulacra and the neutralization of any conflict, this is the only Voina possible at the House of People. 

 Arnold Schlachter / Bogdan Drăgănescu / Mihai Bumbeș / Mihai Lukacs / Veda Popovici.

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An extended version of this text was presented at the Anarchist Studies Network Annual Conference, 3-5 September 2012, Loughborough University, U.K.

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