Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Other Us project


The Other Us/Ceilalți Noi
workshop on re-imagining identity
20 November - 9 December, 2012
Platforma, Bucharest.


On the verge of the re-emergence of nationalisms due to recent geo-political changes, the Other Us is an attempt to draw a critical political position towards national identity. Organized through an open call to participation, the workshop gathered about 40 participants including about 10 facilitators. The program included artists, social scientists and activists that engaged in various forms of discursive exchange with the participants and public. By reconfiguring identity politics and through a practice of active critique, the participants of the workshop engaged in a process of re-imagining national identity and the politics of art in the makings of this identity.

The workshop was composed of three slots: 1) a program of lectures and debates, 2) a performance with alternative (other) flags created by participants and 3) an exhibition open to the public consisting of interventions and resources developed throughout the duration of the workshop.

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Debates and lectures program

Facilitators: The Feminist Reading Circle (Cercul de Lecturi Feministe), Irina Costache, Florin Poenaru, Ovidiu Țichindeleanu, Cristian Cercel, Marian Ursan, Ovidiu Anemțoaicei, Mihai Lukacs, David Schwartz, Alice Monica Marinescu, Simona Dumitriu, The Fan-Club of Romanian Successes, (Fan-Clubul Reușitelor Românești).

Program synopsis
The Circle for Feminist Readings (Cercul de Lecturi Feministe) inaugurated the workshop with an open session on „What is the nation?” starting from a reading of Nira Yuval-Davis' Gender and Nation and developing the inherent genderized structure of the nation-state. Irina Costache's intervention, “The Fathers of the Nation: the European dimension of attempts to limit access to abortion” effectively illustrated the real anti-women consequences of nationalism. The role of affect and the genderized affective roles in the “Love for the Nation” were explored by Florin Poenaru. Ovidiu Tichindeleanu outlined the possibilities of linkage with the local Romanian context of post- and anti-colonial concepts and struggles for creating a new, emancipatory “Us”, situated in a geo-political context. Through a visit to the National Military Museum organized by the Fan-club of Romanian Successes (Fan-Clubul Reuşitelor Româneşti), the contemporary institutional textures of nationalism were explored in the historical representation of the military men of the nation. A historical approach was also conceived by Cristian Cercel with his analysis of the foundational text of the Romanian Proclamation of Independence, the same text that marks the 1st of December, the nowadays national day. Ovidiu Pop together with Veda Popovici sketched a portrait of the national subjectivity by investigating its creation by 19th century scholars and revolutionaries. The status of the national day was problematized by Marian Ursan as he talked about the difficulties encountered by AIDS activists such as himself in the Romanian context because of the coincidence of the AIDS international day with the Romanian national day. The position of the “Other” was also tackled by Mihai Lukacs and Ovidiu Anemţoaicei in a theoretical approach on the body and bodies of Self and the Other. The debates and lectures series of the workshop ended with a lenghty discussion on the political potential of art and its relative harmlessness in the context of national identity formation (with Simona Dumitriu, Alice Monica Marinescu, Veda Popovici and David Schwartz).


Below: mind map created during the workshop by the contribution of all participants.



Other Us (exhibition)







opening: 05.11.2012 @ Platforma

We have dutifully celebrated the 1st of December (the alleged Romanian National Day). With a talk on the situation of AIDS-diagnosed people in Bucharest. The workshop for reimagining identity has ended. From the Other Us remain various flags, video and written documentations, read and unread books, messages on walls, drawings, mindmaps and some blue, yellow, red canvas.

Flags by: 
Irina Botezatu, Larisa David, Răzvan Drăgoi, Simona Dumitriu, Ileana Faur, Veda Popovici, Jean-Lorin Sterian, Alexandra Terzi, Daniel Tristan, Roxana Vasile.

Resources and interventions: 
the Alternative Library (Biblioteca Alternativă), the Library of the Fan-club of Romanian Successes (Biblioteca Fan-Clubul Reuşitelor Româneşti), Larisa David, Ger Duijzings, h.arta, Mihai Lukacs, Arnold Schlachter.

Other Flags performance (part of the Other Us/Ceilalti Noi project)


the Other Flags from veda popovici on Vimeo.

Other Flags (public performance)

1st December 2012, Bucharest, University Square
camera: Iulius Costache; 
video editing: Larisa David

With: 
Irina Botezatu, Larisa David, Simona Dumitriu, Ileana Faur, Alice
Monica Marinescu, Veda Popovici, Daniel Tristan, Roxana Vasile, David
Schwartz, Arnold Schlachter.


Flags by: 
Irina Botezatu, Larisa David, Răzvan Drăgoi, Simona Dumitriu, Ileana Faur, Veda Popovici, Jean-Lorin Sterian, Alexandra Terzi, Daniel Tristan, Roxana Vasile.


part of the Other Us/Ceilalti Noi project, Platforma art space, December 2012, Bucharest.

Tree @ the Blind Museum












The Blind Museum presents: The Tree Under Which I Grew.


part of MMCP: More Than Perfect/Perfect Continous
18-30 September 2012
Platforma Space

Within the framework pf the Blind Museum, a careful research was initiated to find out the inner genealogy of the Department of Painting of the National University of Arts in Bucharest. For this, we have chosen all the professors that have been educated at this department and/or have educated future professors. Thus, the selection purposefully leaves out the persons that have not been educated at the Painting Department and who have not had students that became professors at the same department. However, even with this omission, the people selected form the majority of the professors that have taught at this department.
...
Indispensable to the representation of the nation-state, the Academy of Fine Arts in Bucharest, the today National University of Arts, has from its inception considered the painting department its cornerstone.
In this disciplinary model the central figure is the Master or the Professor. His function is a key position for establishing the norms for the figure of the modern artist. Our research has followed various embodiments of this function. The multitude of names designating these embodiments pertain to various working styles, attitudes and mentalities. Only one dimension seems to be common: their masculinity.


Full text here.

the Blind Museum presents: Future Exhibition Preview.





























Future Exhibition Preview

part of the Open for Inventory collective project, Platforma Contemporary Art Space, October 2012.Participants: Marina Albu, Emil Avasilichioaiei&Sabin Gârea, Ștefan Bandalac, Raluca Croitoru, Larisa David, Marian Dumitru, Ileana Faur, Cosmina Ivanov, Iulia Mocanu, Veda Popovici/muzeul orb, Diana Ursan.  
Facilitator: Simona Dumitriu
The project consisted of the exploration of the collection of Romanian art of the National Museum of Contemporary Art by a group of artists that eventually developed works/interventions/concepts starting from the material found in the deposit. As a result, a number of artworks from the 70s and 80s were taken out of the deposit and exhibited.

The Blind Museum's intervention in the collection was to select works pertaining to the nationalist tendency of the 70's and 80's and to exhibit them facing the wall, in what seems to be an exhibition that is just about to be mounted. The "Future Exhibition" is a glimpse into a not-so-improbable future where nationalism is again in the institutional spotlight.





















Each artwork awaits to be hung on a nail hammered in the wall just above it.














Details: "Vasile Pop N., Hommage to the Great Unification, 1983" (left) and "Patriotic composition" (right).

On the back of each artwork there is the title. The audience is left to imagine how the artworks actually look by reading the titles, and thus participating in their actualization.

BEZNA #3

The new Bezna covers the controversial Shelter at the House of People events.

BEZNA = CONSISTENT DARKNESS + DIFFUSSED FEAR



READ IT! FEEL IT! SPREAD IT!

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BEZNA @ truth is concrete in graz.
Thanks to: Critical Practice.



Eva Peron at the House of People

The Presidential Candidate offers Shelter 

@ the House of People

25 - 29 April 2012, in the House of the People


With: Valentina Desideri, Vali Zaharescu aka The Romanian Bum, Franco Bifo Berardi, Aparat Security, Elena Adam (SamuSocial), Mihai Lukacs, the Bureau for Melodramatic Research, Akseli Virtanen, Florin Flueras, Alexandru Gurita, Caroline Keppi-Gurita, Ion Dumitrescu, Eva Peron, Cosima Opartan, FRR.

Everyday at the Shelter: 

- Simple yet Nourishing Food - Simina Guga, Ovidiu Anemțoaicei, Ștefan Tiron.
- Political Therapy - Valentina Desideri
- Medical Care - Iuliana Stoianescu







 That what had to be done in my country was nothing less than a Revolution. 
And when what needs to be done is a revolution, then the persons capable to venture all the way on a such difficult path are not many. They are actually so few, that we could say they are missing. Many revolutions have been started here and elsewhere. But a revolution is a new, difficult road and it is only for those that feel an irresistible attraction for risky endeavors. This is why have failed and will always fail those revolutions desired by the people and even done with its total support. (…)
 It is important to talk about “Evita”, and not out of pride, but because the one who understands “Evita”, can more easily understand the descamisados, the people themselves, and it will never feel of itself more than it is... Never will it become oligarchic, the most feared thing that can happen to a Peronist!

(part of Eva's speech at the Shelter)







Fragment from "What is Eva P.?"
text in Bezna #3.


(...)
There is a great prophecy which says that in the end times, the prostitute will lead the world. Those are the times of Apocalypse, the lifting of the veil, the times of dis-order and chaos. Eva Peron was the closest to the fulfillment of such a prophecy, however authoritative agencies kept his-story going and the fantasy postponed. Called upon at the Shelter, Eva Peron becomes Eva P., an incantation for the reality of the Apocalypse prophecy. 
The time of the AntiRepublic haunts our present. It is there in the anti-communist ideology, in the virulent demonization of the looser of the Cold War, the so-called anti-democratic, communist East. It is there in the recent fall of the so-called Arab dictatorships. It is also there, in the visions of anarchists of all times and now in the practice of the ones in Greece. The AntiRepublic is also so present in the measures of radical neo-liberals that prophet the reign of the free market. But most of all, the AntiRepublic is already present everywhere in what is obvious to many: the failure of representative democracy. 
Eva was the first of her kind to vote but eternally enable to be voted. She is always just about to be named the Leader. Eva P., a ghost of true representativity, is powerless, she represents no real multitude. She is just an image of the Other, the one perpetually out of the space of authority, the imperfect powerless double. Brought to the Shelter, Eva P. is the model of anyone becoming a candidate for leadership and never a leader, the perpetual candidate for the great position of presidency, an archetype for the times of the AntiRepublic, when everybody will be a candidate and nobody will be president. 
(...)


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About the Shelter:
It looks like what we, The Presidential Candidate, have been anticipating in the last years, with our "no hope" messages and slogans, is already at work. This is not perceived as an eccentric, provocative vision anymore, it is the banal reality that everybody can feel. So what now? What’s happening when you give up hope and you are pushed into the corner?

There is a feeling of urgency, fundamental issues need to be immediately confronted and we will do exactly that. The House of the People (Ceauşescu's Palace) will be transformed temporarily into a real house of the people, where, for a few days, free education, free health services, free food, political therapy, a bit of everything that now is disappearing, will be provided.

Still, there is a sensation that it's too little and, maybe, already too late, so we don’t know if we can avoid adding a dystopian dimension to the whole situation. The events within the House of the People will be a good opportunity for thinking the present and feeling the (no) future in this first Postspectacle shelter.

Participants: Aparat Security, Franco Bifo Berardi, the Bureau of Melodramatic Research, Valentina Desideri, Ion Dumitrescu, Florin Flueras, Simina Guga, Alexandru Gurita,Caroline Keppi-Gurita, Mihai Lukacs, Cosima Opartan, Eva P. & Veda Popovici, the Presidential Candidacy, Elena Adam & Samu Social, Iuliana Stoianescu, Akseli Virtanen, Vali Zaharescu aka the Romanian Bum.

Details on the program here.

BEZNA #2

A new, fascinating issue crossing apocalypse with the January-March protests in Bucharest.

READ IT! FEEL IT! SPREAD IT!

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fragment from "The Carnival, the Spectacle and the Non-event"

text in Bezna #2


(...)
Tons of white, cold matter still cover the city. It feels cold, hard and deadening. Snow has become from an object a subject. It determines our lives, our needs, our actions and even politics. The few protesters who still remain in the streets sometimes sing: „The Souls melt the the Snows”. They already feel that the snow is the new body, the new flesh of the revolts, as the oppressive State-Media duo tell us. Carne vale, goodbye to the flesh is now a somber perspective. We are the snow and the snow should be cleaned, collected and disposed of.

Invitation to War


Statement

On Friday, the 16th of March 2012, the artist activist group Voina (Russian: „war”) had a public presentation at the National Museum for Contemporary Art situated in the House of People in Bucharest. 

Each person attending this event had to pass through a control of his/hers belongings and a body control through a metal detector, including the Voina artists. They were even longer and more thoroughly searched. The reason for this is that the building is a military objective. A space totally dedicated to State authorities, it hosts various institutions of „national importance” like the Parliament. 
We consider the event a invitation to war. 
The war is against today's form of the Romanian State, a police state that has progressively straighten its repressive character in the last six months. The fundamental right to protest and contest state authority has been and still is seriously broken. Too many activists and not only have been picked up and fined abusively and even physically assaulted by the military arm of the State, the privileged Jandarmeria. 
Inside the House of People, the war can only be symbolic, a representation of that real war through which the protest is, as each day passes, domesticized and annihilated. We have come to war in the only way we can: with toy guns. Just as freedom of speech is just a toy and protest just a simulacra in the eyes of the authorities. We played the role of harmless harlequins, toy-terrorists, a role that the same authorities attribute to artists. Responding to a symbolic war invitation, we try to push the limits of security and surveillance at the security check of the Museum. The toy guns are confiscated at the entrance, the art gesture is amputated in the hallway of the Great House. The reason: with toy guns one can threaten and create panic. In the space that the State dedicated to contemporary art, contemporary artists are not welcome if they undermine its authority. Two pistols out of five manage to get across the tough security check. Throughout the presentation, anyone could observe the other guns left next to the metal detector. At the first floor of the Museum, the Voina presentation is about to begin. At this moment, we place ourselves in front of the obedient audience, two of us holding our guns at sight. The others are wearing the message: „I came to Voina, but this plastic gun had to stay at the security check of the Museum”. Although we threaten the audience with our guns, nobody panics.
 We are perfectly safe in the most guarded building in Romania. 
The limits of security and surveillance seem unreachable. 
A threatening as a simulacra and the neutralization of any conflict, this is the only Voina possible at the House of People. 

 Arnold Schlachter / Bogdan Drăgănescu / Mihai Bumbeș / Mihai Lukacs / Veda Popovici.

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An extended version of this text was presented at the Anarchist Studies Network Annual Conference, 3-5 September 2012, Loughborough University, U.K.

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